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The essence of cinema is editing. It's the combination of what can be extraordinary images of people during emotional moments, or images in a general sense, put together in a kind of alchemy.
Francis Ford Coppola
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Edit Decision List

In The Blink Of An Eye
In The Blink Of An Eye
BooklistBooklist
By: Walter Murch

June 8, 2010, 9:34 pm

Murch has been a beacon of pride for editors as he raises the standards of film editing. His first, and only book, In the Blink of an Eye is a great examination of how Murch edits and the techniques that he uses to determine a cut. His extensive knowledge of various topics helps to influence his cuts from science to music. After reading you'll look outside the editing room for ideas in editing.

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Film Form
Film Form
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By: Sergei M. Eisenstein

June 8, 2010, 9:33 pm

Another of Eisenstein's great documents of his ideas of film editing. Take this book and read it intensely and look for some great ideas.

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The Technique of Film Editing, 2nd Edition
The Technique of Film Editing, 2nd Edition
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By: Karel Reisz & Gavin Millar

June 8, 2010, 9:33 pm

Probably the best book, for beginners, on film editing technique. It appears Focal Press has had Ken Dancynger write the 3rd edition and although a fantastic book in its own right it doesn't quite stand up to the first two editions written by Karel Reisz and Gavin Millar. If you are a student looking for editing knowledge or a professional just looking for some interesting reading material on editing this is it. Try to find the 2nd edition at a used book store.

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Film Sense
Film Sense
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By: Sergei M. Eisenstein

June 8, 2010, 9:32 pm

A must for film editing book shelves everywhere. Is this the editor's bible? If not its close. Its a tough, read but the ideas have the ability to change the way you think about editing. Don't brush Eisenstein off as just montage, to truly understand montage you need to hear it from Eisenstein's mouth. Upon reading this book you'll see more than just the traditional Hollywood Montage we see so often today.

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Lessons With Eisenstein
Lessons With Eisenstein
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By: Vladimir Nizhny

June 8, 2010, 9:31 pm

This book made the list due to its authors dedication to documenting his teacher, Eisenstein's, techniques, methodologies and philosophies. Although, the book heavily favours directors, it has great insight into film editing ideas. After reading it you'll feel the urge to "look closer"and to influence the audience in a new way.

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The Conversations
The Conversations
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By: Michael Ondaatje

June 8, 2010, 9:30 pm

A fantastic page turner that gives a close intimate understanding of Walter Murch and his approach to film editing. It also looks closely into some of his new ideas while re-examing his past ideas from In the Blink of an Eye. A must for any editor.

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When the Shooting Stops... The Cutting Begins
When the Shooting Stops... The Cutting Begins
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By: Ralph Rosenblum

June 8, 2010, 9:27 pm

Another great primer for someone interested in entering the editing business. Rosenblum gives us insight into dealing with producers, directors and talent. His career spans from his early work on WWII propaganda and Louisiana Story (as an Assistant) to his success as a feature editor working with Woody Allen on hits such as Annie Hall. An easy read with great stories. Its one downfall is that it doesn't go into depth and examine his ideas and approaches to the technique of editing.

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First Cut: Conversations with Film Editors
First Cut: Conversations with Film Editors
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By: Gabriella Oldham

June 8, 2010, 9:24 pm

Following in the tradition of Film Lighting,this book interviews film editors for a unique inside perspective of the cutting room. Great anecdotes and great as a primer for prospective film editors.

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Film Editing: Great Cuts Every Filmmaker and Movie
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By: Gael Chandler

June 8, 2010, 9:23 pm

In less than 200 pages, the book holds up a looking glass to every type of cut: smash cut, flash cut, match cut, jump cut, subliminal cut and many more.
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Kuleshov on Film
Kuleshov on Film
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By: Lev Kuleshov

November 3, 2009, 7:49 pm

The founder of traditional montage theory, Kuleshov writes about his ideas. In the 1920's he believed editing was film and that montage was how we could connect to the audience. Get an inside look into some of his theories and ideas about editing and film through this book.

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