Shot/Reverse Shot | Screen Direction | Rule of Change | Murch's Rules
Cutting on Action
One of the most crucial tools an editor can have, cutting on action allows for the editor to create a seamless continuity between shots. Using a characters action/movement, the editor matches between two shots to help hide the cut. The action distracts the audience from the actual cut. allowing for a seamless motion.
One of the most crucial tools an editor can have, cutting on action allows for the editor to create a seamless continuity between shots. Using a characters action/movement, the editor matches between two shots to help hide the cut. The action distracts the audience from the actual cut. allowing for a seamless motion.
Some of you may encounter a debate over where to cut on action. Some editors believe that it's only a good cut if cut early in the action. Others believe just the opposite and suggest cutting only towards the end of the action. While still others believe directly in the middle of the action. SOME even argue, it has to be exactly four to five frames into the action. This is only the tip of the iceberg
In the end, the best approach is to avoid limiting yourself and keep what works best for the scene, the film, the actors, etc. at the forefront of your mind. Examine everything you can about the scene. Look at the two matching frames, think about your audience and how they will interpret the cut. Will they accept it?
In the end every film, scene, and cut is different and you must examine each for the best possible cut.
Take a look at the video below to get a better understanding of cutting on action.
